Inside, the lodge smells like oatmeal and cinnamon and the kind of soap people buy when they intend to be better to themselves.
I stomp my boots, strip my gloves, hang my jacket on the peg I reinforced after a prospect almost took the wall down with a wet parka.
Cara hums in the kitchen.
Roman’s voice is a low line in the next room, steady and patient.
It is the tone he uses for babies and for men who are ashamed to be crying.
I hear a soft burble and then a laugh.
Luca again, the extrovert.
Gabe grumbles then sweetens.
Marisa laughs like I have not heard her laugh in a year and something inside my ribs releases pressure I did not catalog properly until now.
I walk through the doorway and catch the tableau as if someone has been painting it for hours.
Cruz is on the floor with both boys on a blanket, his hair a mess, a wooden rattle in one hand like a conductor’s baton.
Cara’s at the stove with an empty sling tied across her shoulder, ready for whichever twin decides vertical is the only moral position.
Isla stands at the table building a tower out of measuring cups and small potatoes.
She looks up when she sees me, salutes with a potato, and the tower survives because the kitchen gods are in a good mood.
Marisa is at the sink, sleeves pushed, lips parted on a smile that looks involuntary.
Roman leans in the doorway between them and the hall like a man who does not want to leave a good thing unattended.
“Report,” he says, the word even, the look not.
“Two things missing,” I say. “One box of small sockets from the barn shelf, top left. A stack in the shed adjusted by a deliberate hand. The orchard had a surprise. I bagged it.”
Marisa stills, and Cruz’s eyes sharpen without losing their warmth.
Cara turns down the burner to a whisper.
Isla’s hand hovers over a potato she was about to add to her tower.
“What surprise,” Roman says.
I give him the bag.
The glove sits there, wet and patient. He does not reach for it right away.
He looks at my face to see what I am not saying.
I let him read it.
He takes the pouch and turns it in his palm.
“Stitching,” he says quietly.
“Seven-year stitch,” I answer. “Not Vultures. Not Blessings. One of ours, or someone who wore the costuming.”
Cruz stands slow, leaving the twins with a folded blanket that smells like sleep.