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Inside, the lodge smells like oatmeal and cinnamon and the kind of soap people buy when they intend to be better to themselves.

I stomp my boots, strip my gloves, hang my jacket on the peg I reinforced after a prospect almost took the wall down with a wet parka.

Cara hums in the kitchen.

Roman’s voice is a low line in the next room, steady and patient.

It is the tone he uses for babies and for men who are ashamed to be crying.

I hear a soft burble and then a laugh.

Luca again, the extrovert.

Gabe grumbles then sweetens.

Marisa laughs like I have not heard her laugh in a year and something inside my ribs releases pressure I did not catalog properly until now.

I walk through the doorway and catch the tableau as if someone has been painting it for hours.

Cruz is on the floor with both boys on a blanket, his hair a mess, a wooden rattle in one hand like a conductor’s baton.

Cara’s at the stove with an empty sling tied across her shoulder, ready for whichever twin decides vertical is the only moral position.

Isla stands at the table building a tower out of measuring cups and small potatoes.

She looks up when she sees me, salutes with a potato, and the tower survives because the kitchen gods are in a good mood.

Marisa is at the sink, sleeves pushed, lips parted on a smile that looks involuntary.

Roman leans in the doorway between them and the hall like a man who does not want to leave a good thing unattended.

“Report,” he says, the word even, the look not.

“Two things missing,” I say. “One box of small sockets from the barn shelf, top left. A stack in the shed adjusted by a deliberate hand. The orchard had a surprise. I bagged it.”

Marisa stills, and Cruz’s eyes sharpen without losing their warmth.

Cara turns down the burner to a whisper.

Isla’s hand hovers over a potato she was about to add to her tower.

“What surprise,” Roman says.

I give him the bag.

The glove sits there, wet and patient. He does not reach for it right away.

He looks at my face to see what I am not saying.

I let him read it.

He takes the pouch and turns it in his palm.

“Stitching,” he says quietly.

“Seven-year stitch,” I answer. “Not Vultures. Not Blessings. One of ours, or someone who wore the costuming.”

Cruz stands slow, leaving the twins with a folded blanket that smells like sleep.