Prologue

Kendra

What can I say about the wedding dress? I can tell you it’s been in my family for generations. That after all these years it’s still beautiful. And what happened the day I wore it wasn’t the dress’s fault.

It was designed and created for my great-grandmother’s cousin Lindy’s wedding. She was the only one of my grandmother’s female relatives whose family came through the Crash with most of their money still intact. At the time it was made, THE DRESS, which is how we refer to it, cost more than your average house, a flagrant extravagance at a time when so many had no homes, or jobs, or even food to eat.

It’s one of a kind. Ivory satin with a scooped neck, flange collar, and a cleverly fitted bodice. Long fitted sleeves narrow down to a gentle point just beyond the wrist. A creamy waterfall of satin cascades toward the floor and swirls around the ankles, rounds into a train. It’s clean lined and elegant. No cutouts. No jewels. Its stark simplicity takes the breath away. With its Chantilly lace mantilla it’s the kind of dress meant for a showy, yet tasteful, fairy-tale wedding to a handsome prince. And while happily ever after is never guaranteed, it’s implied.

After Lindy, my grandmother and her other cousins wore it. So did their daughters and those of us who followed. Somehow it flatters any figure. A satin version ofThe Sisterhood of theTraveling Pantslong before it was written. In fact, I bet if you subtracted the alterations that were sometimes required and divided its cost by the number of family brides who’ve worn it, THE DRESS was probably a bargain.

Every single Jameson bride looked beautiful in it. I know because I studied the family wedding albums a million times when I was a girl in Richmond and imagined myself wearing it.

The portrait of my mother in the gown hung above my parents’ bed until the day she died. It was part of the room. A touchstone. A reminder that even plain women are beautiful on their wedding day. When reality is suspended and everything, especially happiness, seems possible. When no one is thinking about what it will feel like to deal with sickness rather than health. Or anticipating the till-death-do-us-part part.

The dress fit me perfectly. A fact I interpreted as confirmation that my marriage was meant to be. That Jake was my destiny.

Try as I might to forget I still remember every detail of my wedding day. Sipping from a flute of champagne with my bridesmaids at our house on Monument Avenue while we had our hair and makeup done. The way my hands shook when I was helped into THE DRESS. How fast my heart beat on the way to the church. The way my pulse skittered while the 150 guests were escorted to their seats as the string ensemble played.

I walked down the aisle barely feeling my father’s arm under my hand or the floor beneath my kitten heels. All eyes were on me. In the most beautiful dress ever.

I smiled at Jake. Saw the love in his warm brown eyes. Let him take my hand. He squeezed it as we turned to face the minister.

And then, although I’ve been replaying it in my mind for more than forty years now, I don’t really understand what happened. It was as if everything I’d thought, everything I’d felt, flew out of my head. When Reverend Frailey cleared his voiceand said, “Dearly beloved,” I was struck with a thunderbolt of clarity, or perhaps it was a thunderbolt of panic, that felt as if it had been delivered directly from above. (And I don’t mean the choir loft.)

Suddenly I realized that I might be making a mistake. That I’d only just turned twenty-one. That it was 1978 and I was woman, but I had not yet even attempted to roar. That I might not actually be ready to start the family Jake wanted so badly or even commit the rest of my life to another person. Not even Jake.

Like I said, it wasn’t THE DRESS’s fault. And it definitely wasn’t Jake’s.

Three months later when the presents had all finally been returned and I discovered that I was pregnant with his child, his family wasn’t speaking to mine and I’d already done far too much damage to tell him. Until then I hadn’t realized that God was into irony. I mean what kind of deity would smite you with a fear of commitment at the worst possible moment andthenmake you a single mother, arguably the largest commitment ever?

So there it is. A slight wrinkle in THE DRESS’s mostly unblemished history.

I’m hoping my daughter will have a happier ending in THE DRESS. If, in fact, she ever wearsit.

One

Lauren

Three days to forty

New York City

“Oh my God. You’re... you’re Lauren James.” The woman looks down at the book on her lap then back up at me. “I’m readingRip Tideright now. I’ve read everything you’ve ever written. Every single word.” She looks so genuinely excited. As if it’s Christmas morning and she found me under the tree and can’t wait to unwrap me. If her feet weren’t currently soaking in warm soapy water she would be moving toward me, holding out the hardcover of my latest novel for my signature. “I just love your books. I buy them in print and digital. I listen to them on audio while I work out.”

As other women look up, I thank my lucky stars that I put on makeup and washed my hair today. Writing is not the glamorous profession people think it is. In fact, authors spend long periods of time alone, unwashed, and on deadline. Grooming and hygiene can take a distant second to word count.

“Ah, so you’re the one keeping me in print.” My smile is real and so is my gratitude. No matter how many times you hear that someone loves what you’ve written, it feels good. It’s like being told that your children are talentedandbeautiful. Or atleast I assume that’s what it feels like since I’ve never given birth. The thing is, if you don’t have enough readers who love what you do no one will pay you to do it anymore.

She laughs at the very idea of being my only fan, because I’ve been successfully published for more than a decade and hit theNew York Timesbestseller list on a satisfyingly consistent basis. In fact, I’ve been dubbed the “Queen of Beach Reads.” Which means I write the kind of books that those who want to appear literary like to sneer at, but that sell hundreds of thousands of copies. And allow me to own an apartment in a really great building on Central Park West.

“Thank you. I’m so glad you enjoy my books.” I shoot the woman a last smile then turn my attention to my manicurist, Hanh. After a few words of greeting and a couple of polite questions about her children, which is about all we manage given my lack of Vietnamese and her gaps in English, I settle back into the big leather seat. I close my eyes and try to focus on the warm water swirling around my feet, but I’m careful to keep a pleasant smile on my lips so that none of the women who are currently Googling me can interpret my silence as diva-ish or carry tales about how rude and unappreciative I am.

My breathing evens out as Hanh’s small, competent hands massage my feet. I attempt to visualize a bright-blue sky with puffy white clouds floating through it. Like the ones that used to form over the Atlantic Ocean in the Outer Banks, where I grew up.

I’m not very good at meditation, and although it’s not supposed to be possible, I failed yoga. My brain refuses to slow down or follow instructions, and no matter how hard I try to shut down, I’m inevitably thinking about all the things I’m thinking about but shouldn’t be. Then I think about not thinking.

At the moment, all I can think about is that I’m going to be forty in two days, twenty-two hours, and thirty-five minutes whether I’m ready or not. Then I think about how old that is.How not like my body my body has become. Hanh lifts one foot out of the water and I think about how unattractive my toes are.