Hmm. Does he have a magical instrument like my knife that tells him secrets? Or is he just assuming that he would know all of his people’s plans?

“It’ll be humans, then.” I glance down at my clothing.I’m wearing nothing but my chemise, and it seems foolish to race downstairs in nothing but that. I think about the dismissive, ugly looks the Liosians gave me and want to look my best, because clothes can be armor. “Can you help me dress? Do we have time?”

He nods. “It is not a fast process, breaking into the tower. Show me what you need help with.”

I slip a deep blue gown over my head. The bodice and decorated skirt are attached, with the laces going up the front of the heavily embroidered bodice. The sleeves attach separately to the shoulders of the bodice, as all my gowns do, so they can be removed for my potion to be administered. I have Nemeth help me with these as I lace the front of the tight gown, reaching in to adjust my tits so they bubble over the front of the bodice pleasantly. As I do, Nemeth’s wings flick, and I know he’s watching my breasts.

That restores a bit of my confidence in myself. After all, I might be trapped in this tower, but I’m still Princess Candromeda Vestalin, known flirt of a proud, handsome lineage. I know I’m attractive, even if I’m plump and rounded next to Erynne. I shouldn’t doubt myself.

Once the laces are tied with a knotted bow just under my cleavage, I pat the swells of my tits and toy with the edges of the chemise that tease out just over the edge of the bodice. “How do I look?”

“Beautiful,” Nemeth tells me, his tone reverent. “You are always beautiful.”

I smile up at him, and his strange green eyes seem to be devouring me where I stand, as if I’m a delicious morsel and he’s a starving man. For a brief, shining moment I’m annoyed that we have to go downstairs. I’d rather stay up here, unlace my gown again, and see how he reacts when my tits spill free.

But then thechink chink chinkof brickwork reminds me that something today is different, and we can’t lounge in bed.

Nemeth finishes tying my sleeves and studies his handwork. “I’m terrible at being your maid.”

I glance down and the bows he’s made are clumsy and not decorative in the slightest, but it doesn’t matter. I’ve got my mental armor on once more. I give him a coy look. “I suspect you’d be better at undressing me rather than the reverse.”

His wings flutter again. “Let us go see what they want.”

“Just a moment.” I put my hands to my braid and smooth it, working strands back into place before looping my braid into a knot atop my head and securing it with a pin. “Ready now.”

I throw my shoulders back, pick up a lamp, and carry my skirts, my head held high. Whoever is at that door is getting Princess Candromeda Vestalin, not Candra the flirt.

We head downstairs, with Nemeth a step behind me and his large hand on my back in silent support. I move through the empty lower chamber, and wonder again if we should make this place more cozy. Bring in a few chairs from downstairs, use the hearth, maybe a rug…but something inside me rebels. I don’t want this to be a home. It never will be anything but a prison, no matter how comfortable a prison.

Ibring the light closer to the door, walking forward. Nemeth remains behind. As I head for the heavy wooden double doors, I hear voices leaking through, along with a crack of sunlight leaking in from the door’s seams. They’re muffled, but the closer I get, the more distinct they become. “Not much more,” a man calls. “We’re almost through. Rally your strength, boys!”

Turning to Nemeth, I flick my fingers, indicating he should back away. “They’re definitely human. You’ll have to hide in the shadows again. They can’t see us together.”

“Have they said what they are doing here?” When I shake my head, his nostrils flare and he looks…angry. “Send them away.”

Then he steps backward and melts into the shadows in that unnerving way he does. His eyes glimmer in the darkness at the edge of the circle of light provided by the lamp. I fight back a flicker of annoyance. “Don’t get mad at me. It’s not as if I invited them.”

“Just send them away,” he says again. “You know the rules.”

I do. I’m a little irked that he’s acting like this is somehow my fault because they’re human. It should be obvious that I’m just as in the dark—no pun intended—as he is to their motivations.

Holding the lamp, I move closer to the door. I hear nothing but the sound of loose rocks. “Clear the last of it away,” a man says. “Dolf, come help me with this bar.”

The bar across the door? So they mean to open it, then. “Who’s there?” I call out. “Who has sent you?”

There’s no answer. I can make out a faint murmur of voices outside, as if they’re deliberately speaking too low for me to hear.

“Did the king send you?” I call again. “This tower is sacred to the Golden Moon Goddess. We cannot have visitors.”

I mean, we can, but we’re supposed to be living apart from the world. Visitors just remind us to abandon our duties, like they did with some of the ancestors who dwelt in the tower before us. That’s why it’s bricked up now. That’s why we’reisolated. Two hundred years ago, the Vestalin woman was pulled from the tower by her lover, who couldn’t bear to be apart from her. The goddess’s wrath was immediate—raging storms covered the land followed by intense droughts. The famine was so great that half the kingdom died of starvation, and the man’s family was hanged—down to even the tiniest of children—as an example to others. The doors to the tower have been bricked up ever since.

I shoot an anxious look at Nemeth when my calls receive no response.

“I’m here,” he says quietly, eyes gleaming eerily in the darkness. “All is well. They will not take you.”

It’s like we’re sharing a mind. I nod and turn to face the door, inwardly wincing as the heavy metal bar on the other side scrapes against the wood as it’s removed. Keeping my head held high, I remain where I am, figure proud, as the doors scrape open and harsh, bright afternoon sunlight pours in.

I squint at the light that pours in from the open door, shielding my eyes with my free hand. “Who’s there?”