“Thank you.” The boy sniffed.

“Do you think you could draw something for me?” Apollo picked up a notebook and a pencil, then he handed the items to the boy.

“You want me to draw you something now?”

“Yes. Art is supposed to be good therapy for the soul.”

Apollo told the boy what he’d like him to draw.

The boy replied with a quizzical look, but he made no attempt to argue with the prince. Most people usually didn’t, though it might have been better for this boy if he had.

As it was, the boy quickly went to work on his sketch, bowing his head over his book as he feverishly outlined and shaded and did whatever it was that artists did. When he finished, he carefully tore out the page and handed it to Apollo.

“Excellent,” Apollo said. “This is really good work, young man.”

“Thank you.”

“Do you feel any better now?”

“Not really,” muttered the boy.

Apollo clapped him on the shoulder. “I truly am sorry for your loss,” he whispered, “but soon you won’t feel any pain at all.”

Then Apollo took his knife and stabbed the boy in the heart.

Shock and pain briefly crossed the boy’s face before he fell back on the bed, as dead as the rest of his family.

Apollo felt a moment of sadness. He wasn’t really a monster. He just did what had to be done. A boy this trusting and this cowardly wouldn’t have made it long in this world; his family was all dead now, anyway. And Apollo would make sure his sacrifice was put to good use.

The prince wrapped the boy’s hands around the dagger, making it look as if the death was self-inflicted for whoever found him later. Then, after a quick glance in the mirror to make sure his shirt didn’t have any blood on it, Apollo stepped into the hall and quickly shut the door behind him before the waiting guard could see inside the room.

“How did it go, Your Highness?” asked the guard.

Apollo shook his head mournfully. “Such a tragedy. The boy feels guilty for surviving. I fear he’ll never be the same. But he did draw me a picture of the man who murdered his family.”

Apollo handed the drawing to the guard. “Have new wanted posters drawn up. Mention this massacre and then add this picture of Lord Jacks.”

20Evangeline

Evangeline ran out of the door right as two guards burst through into her room. She quickly dodged past, expecting them to give chase. But she was the only one running. Her bare feet clapped against the cold hard stones as she ran after Archer and cried again, “Wait—stop!”

He couldn’t have gone far. She could hear the fall of his boots around the corner. Hall after hall after hall she heard him in the distance. But every time she turned a corner, Archer wasn’t there. All she saw were portraits of Apollo that looked far more accusatory than she remembered.

The prince’s painted eyes watched her as she ran down a particularly narrow hallway. Some of the lights had been snuffed out, making it darker as well, until she reached another portraitof her husband. The sconces flanking this picture seemed especially bright, glistening off the golden frame as if to make up for the lights that had gone out.

It looked like another portrait of Apollo in the magical phoenix tree, lounging across the branches. Although it was difficult to be sure. The portrait had been slashed down the middle.

Archer stood beside the mutilated picture, cape tossed back behind his shoulders, arms crossed over his chest, as he eyed the mangled portrait. “I think I like this one best.”

Evangeline didn’t see a knife in his hand, but there was a sharpness to Archer’s gaze that felt like a blade. If anyone could cut with a look, it would be him.

“Did you do this?” she asked.

“That wouldn’t have been very kind of me.”

Evangeline’s eyes drifted toward the blood spattered on his pale shirt. “Would you describe yourself as kind?”

“Not at all. But I think you already know that.” He shoved off the wall and stalked closer to her. The hall was quite narrow, so it wasn’t much of a walk. Two steps and he was there, near enough that everything smelled of apples and her head felt suddenly light.