By the age of twelve, Dennis had discovered the pleasures of voyeurism.
“It excited me,” he wrote, after our third interview, “to watch a woman who didn’t know she was being observed. I’d do it to my sisters, but I’d creep up to lit windows as well. If I got lucky, I’d see women or girls undressing, adjusting themselves or even a glimpse of nudity. I was aroused not only by the obviously sensual aspects, but by the sense of power. I felt I stole something of their essence from them, taking that which they thought private and hidden.”
He soon progressed to stealing women’s underwear from neighbors’ washing lines and even from his grandmother, Ena. These he enjoying wearing in secret, and masturbating in…
Yawning, Strike flicked on, coming to rest on a passage in chapter four.
… a quiet member of the mailroom staff at Fleetwood Electric, who astonished his colleagues when, on a works night out, he donned the coat of a female co-worker to imitate singer Kay Starr.
“There was little Dennis, belting out ‘Wheel of Fortune’ in Jenny’s coat,” an anonymous workmate told the press after Creed’s arrest. “It made some of the older men uncomfortable. A couple of them thought he was, you know, queer, after. But the younger ones, we all cheered him like anything. He came out of his shell a bit after that.”
But Creed’s secret fantasy life didn’t center on a life of amateur theatrics or pub singing. Unbeknownst to anyone watching the tipsy sixteen-year-old onstage, his elaborate fantasies were becoming ever more sadistic…
Colleagues at Fleetwood Electric were appalled when “little Dennis” was arrested for the rape and torture of Sheila Gaskins, 22, a shop assistant whom he’d followed off a late night bus. Gaskins, who survived the attack only because Creed was scared away by a nightwatchman who heard sounds down an alleyway, was able to provide evidence against him.
Convicted, he served five years in HMP Pentonville. This was the last time Creed would give way to sudden impulse.
Strike paused to light himself a fresh cigarette, then flicked ten chapters on through the book, until a familiar name caught his eye.
… Dr. Margot Bamborough, a Clerkenwell GP, on October 11th 1974.
DI Bill Talbot, who headed the investigation, immediately noted suspicious similarities between the disappearance of the young GP and those of Vera Kenny and Gail Wrightman.
Both Kenny and Wrightman had been abducted on rainy nights, when the presence of umbrellas and rainwashed windscreens provided handy impediments to would-be witnesses. There was a heavy downpour on the evening Margot Bamborough disappeared.
A small van with what were suspected to be fake number plates had been seen in both Kenny’s and Wrightman’s vicinities shortly before they vanished. Three separate witnesses came forward to say that a small white van of similar appearance had been seen speeding away from the vicinity of Margot Bamborough’s practice that night.
Still more suggestive was the eyewitness account of a driver who saw two women in the street, one of whom seemed to be infirm or faint, the other supporting her. Talbot at once made the connection both with the drunk Vera Kenny, who’d been seen getting into a van with what appeared to be another woman, and the testimony of Peggy Hiskett, who’d reported the man dressed as a woman at a lonely bus stop, who’d tried to persuade her to drink a bottle of beer with him, becoming aggressive before, fortunately, she managed to attract the attention of a passing car.
Convinced that Bamborough had fallen victim to the serial killer now dubbed the Essex Butcher, Talbot—
Strike’s mobile rang. Trying not to lose his page, Strike groped for it and answered it without looking at the caller’s identity.
“Strike.”
“Hello, Bluey,” said a woman, softly.
Strike set the book on the bed, pages down. There was a pause, in which he could hear Charlotte breathing.
“What d’you want?”
“To talk to you,” she said.
“What about?”
“I don’t know,” she half-laughed. “You choose.”
Strike knew this mood. She was halfway into a bottle of wine or had perhaps enjoyed a couple of whiskies. There was a moment of drunkenness—not even of drunkenness, of alcohol-induced softening—where a Charlotte emerged who was endearing, even amusing, but not yet combative or maudlin. He’d asked himself once, toward the end of their engagement, when his own innate honesty was forcing him to face facts and ask hard questions, how realistic or healthy it was to wish for a wife forever very slightly drunk.
“You didn’t call me back,” said Charlotte. “I left a message with your Robin. Didn’t she give it to you?”
“Yeah, she gave it to me.”
“But you didn’t call.”
“What d’you want, Charlotte?”
The sane part of his brain was telling him to end the call, but still he held the phone to his ear, listening, waiting. She’d been like a drug to him for a long time: a drug, or a disease.