It’s nothing, she told herself, cutting her rest period short. With one final glance at the man over her shoulder, she took off again, feet splashing through new puddles, her lungs burning as she cut through parked cars, ignored traffic lights, and sprinted home.

He’s just a guy in the park, Nikki. Sure, he’s alone. Big deal. So are you.

Nonetheless, she raced as if her life depended upon it, and as the rain began in earnest, fat drops falling hard enough to splash and run on the pavement, she came around the huge, old mansion she now owned and, taking the key from the chain on her neck, unlocked the back door, then ran up the stairs two at a time.

Once inside her own space, she threw the dead bolt and leaned against the door, gasping for breath, trying to force the frantic images of confinement and darkness from her brain.

You’re okay. You’re okay. You are o—

Something brushed her leg.

She jumped, letting out a short scream before recognizing her cat, who was attempting to mosey through a series of figure eights around her legs. “For the love of God, Jennings, you scared the crap out of me!” She slid onto the floor.

When had she become such a wimp?

But she knew . . . trapped in the coffin, listening to dirt being tossed over her, feeling the horror of a dead body beneath her, the smell of rotting flesh surrounding her . . . in that moment her confidence and take-the-world-by-the-throat attitude had crumbled into dust.

She’d been fighting hard to reclaim it ever since.

She was safe now, she told herself, as she reached up and checked the door to see that it was locked a second time, then a third, and after pushing herself to her feet, she made a perimeter check of the house. All windows and doors were locked tight, and no boogeyman hurled himself at her when she opened closets and checked inside.

Unconcerned about Nikki’s paranoia, Jennings hopped onto the counter while Nikki, still edgy, downed a glass of water at the kitchen sink and stared through her window to her private garden three stories below. Rinsing her glass, she sneaked a glance at the gate. Still latched. Good. She took another look around the garden area, with its small table and chairs and huge magnolia tree, now devoid of leaves, but saw no malicious figure slinking through the shadows, nor, when she stepped out onto the small balcony, was anyone hiding on the fire escape that zigzagged its way to the ground. Double-checking that dead bolt as well, she decided her home was secure.

Finally, she let out the breath she hadn’t realized she’d been holding.

For the love of God, pull yourself together, Nikki. Do it, now!

Kicking off her wet shoes, she walked through her bedroom, where she saw her wedding dress, wrapped in its plastic bag, hanging from a hook on the closet door. Her heart tightened a bit, and she ignored the thought that perhaps she was marrying Reed for security’s sake.

That wasn’t true, she knew, peeling off her soaked sweatshirt and stripping out of the rest of her clothes. She loved Reed. Wildly. Madly. And yet . . .

“Oh, get over yourself.” In the shower she relaxed a bit, and once the hot spray had cleaned her body and cleared her mind, she felt better. There was no dark, sinister madman after her any longer. She loved Reed, and they were going to get married. Her bank account was low, but she could sustain herself for a few more months . . . so all she had to do was come up with a dynamite story for her publisher.

“Piece of cake,” she said as she twisted off the taps and wrapped her hair in a towel. “Piece of damned cake.”

Within twenty minutes she was back at her desk, a power bar half eaten, a diet Coke at her side, her hair air-drying in wild ringlets. Scanning the newsfeed on her computer, she noticed a breaking-news report running beneath the screen:

Blondell O’Henry to be releas

ed from prison.

She stared at the words in disbelief. “No!” Quickly, she googled for more information.

Blondell Rochette O’Henry, a beautiful enigma of a woman, had already spent years behind bars, charged with and convicted of the heinous crime of killing her own daughter, Amity, and wounding her two other children in a vicious, unthinkable attack.

Nikki’s heart pounded as she remembered all too clearly the blood-chilling crime. Her mouth turned to dust, because Amity O’Henry had been her best friend back then, and Nikki knew, deep in her heart, that in her own way, she too was responsible for the girl’s untimely and horrifying death.

“Oh, Jesus,” she whispered, wondering if the report was true as she worked the keys on her computer, searching for verification of the story. In her mind’s eye, she saw the image of Amity, who at sixteen was whip-smart and as beautiful as her mother, with thick, auburn hair framing a perfect, heart-shaped face, wide, intelligent eyes, lips that were sexy and innocent at the same time, and legs that wouldn’t quit. And Amity O’Henry had the same naughty streak and sexual allure as her mother.

Nikki skimmed story after story, but they were all the same, nothing of substance, no details as to why Blondell was being released.

Nikki worried her lip with her teeth. She’d never really told the truth about the night Amity had been killed at the cabin in the woods—never admitted that Amity had asked her to come—and she’d buried that guilt deep. But maybe now she’d have her chance. Maybe now she could make right a very deeply felt and festering wrong.

Her search earned her an article about Blondell, written years before. The picture accompanying the article didn’t do the most hated woman in Savannah justice, but even so, dressed in a prim navy-blue suit for her court date, her blouse buttoned to her throat, her makeup toned down to make her appear innocent, almost as if she were about to attend church in the 1960s, she was beautiful and still innately sensual. Her hair was pinned to the back of her head, and even though her lawyer was hoping she would appear demure, it was impossible to hide her innate sexuality.

Staring at the photo, Nikki knew one thing for certain: Finally, she had the idea for her next book.

As for a personal connection to the story?