were no other doors, who had been moving around?
 
 To do what? No one had come down the stairs. "Hello?'" I called, wondering if someone was
 
 deeper in the room, perhaps behind some costuming.
 
 There was no response. I walked in further and then
 
 followed the aisle on my right, past the rows of
 
 costumes organized by century and style, from the
 
 Middle Ages to the Roaring Twenties, with lots more
 
 from other eras and styles on the opposite side of the
 
 room.
 
 I reached the rear of the room and started to go
 
 around the other side in order to return to the doorway
 
 when I saw what I realized was another door, behind a
 
 pair of gowns that looked like they could have been
 
 worn by Scarlett O'Hara in Gone With the Wind. Where did this door go? It had a key in the
 
 lock. Why was it practically hidden from sight, I
 
 wondered. and I lifted the gowns away to turn the lock
 
 and then try the knob. It turned, but the door opened to another door. Still curious. I put my ear to that door and listened. I thought I could hear someone singing to the music of what sounded like a mandolin. I knew
 
 the sound well. It was a form of lute.
 
 "Who's in here?" I heard, and spun around to
 
 see Laura Fairchild in the doorway. She seemed to
 
 swell in the doorway, her neck stretching, her eyes
 
 beaming with rage.
 
 As quietly as I could. I closed the door, locked
 
 it again and stepped out into the aisle.
 
 "Honey? What are you doing here?" she
 
 demanded.
 
 "I was just curious," I said. "I heard about the
 
 costumes and wanted to see them."
 
 "I've already instructed Howard and Cinnamon
 
 not to touch anything in here again until they are told