wondered as I started toward the living room. I was afraid to touch anything, afraid even to
 
 walk on the expensive looking big Persian oval rug
 
 that extended from the living room doorway, under
 
 the two large sofas and beyond. The high windows
 
 were draped in scarlet velvet with gold ties and the
 
 walls were papered in a delicate floral design, the
 
 hues matching the colors in the soft cushion high back
 
 chairs and the sofas. On the thick mahogany center
 
 table were two thick crystal vases. The lamps on the
 
 side tables looked very old and valuable. There were
 
 paintings on all the walls, some landscapes of
 
 plantations and some street scenes from the French
 
 Quarter. Above the marble fireplace was the portrait
 
 of a distinguished looking old gentleman, his hair and
 
 full beard a soft gray. His dark eyes seemed to swing
 
 my way and hold.
 
 I lowered myself gently in the corner of the
 
 sofa on my right and sat rigidly, clinging to my little
 
 bag and gaping about the room, looking at the statues,
 
 the figurines in the curio case, and the other pictures
 
 on the walls. I was afraid to look at the portrait of the
 
 man above the fireplace again. He seemed so
 
 accusatory.
 
 A hickory wood grandfather's clock that looked as old as time itself ticked in the corner, its numbers all Roman. Otherwise, the great house was silent. Occasionally, I thought I heard a thumping above me and wondered if that was Gisselle storming back and
 
 forth in her room.
 
 My heart, which had been racing and drumming
 
 ever since I let Beau Andreas lead me into the house,
 
 calmed. I took a deep breath and closed my eyes. Had
 
 I done a dreadful thing coming here? Was I about to