“Amelia,” I said without deciding, and the name rang right. She made a noise like she was trying to answer in a language we would both be fluent in by fall.
 
 Beyond her, a boy tore across the lawn with knees already grass-stained, chasing the horse like he had never been taught to be afraid of something bigger than him. “James!” I called, and he skidded to a stop and turned, his grin the bright, careless kind that makes neighbors forgive you anything.
 
 “Mom!” he yelled, and then he was a weight at my hip, arms around me, chin digging. I didn’t mind. I never had when it was love.
 
 Something in the other room pressed hard into my sternum. The press was steady, measured—one, two, three—and each time it landed, the baby on my shoulder kicked, alive and impatient. The cadence matched the compressions. The world overlaid itself, rhythm on rhythm. Sirens—bells. Pressure—new life. The smell of hay—oxygen.
 
 I should have been afraid. I wasn’t. Not yet.
 
 The yard filled itself with afternoons. Kimmy on the porch with sunglasses and a tomato sandwich, bossing me gently while I ignored half of it and did what she said, anyway. Owen with a cooler he insisted was superior because he could quote the insulation stats, kneeling to show James how to make a paper boat that would take the creek like a champ and not just sink. Butch in a chair under the biggest oak, a blanket over his knees he didn’t need but liked for effect, telling Amelia she was born with a mayor’s eyebrows and a queen’s temper and he would vote for her both times.
 
 Flapjack learned the sound of the school bus and came to the fence at three fifteen every day like a dog, huge head over, each nostril the size of my palm, blowing on the kids until they squealed. Ethan taught them to slide their small hands down the long, dark bridge of his face and feel the neat whisker-scrape of his muzzle. “Always here,” he would say, and James would echo it, serious beyond his years, like the words were a sacrament.
 
 I walked the yard in rubber boots in October, water glittering in the grass after a moon tide, Amelia perched on my hip and explaining the world to me in nouns made of song. “Bird. Boat. Mama.” The creek tugged at the lawn like a toddler testing the edge of a tablecloth. “Not unprecedented,” I told her, tapping our flood markers on the back of the shed, “just poorly handled.” She nodded like she agreed, and Ethan laughed so hard he had to sit down on the step and put his head between his knees for aminute, that huge, silent laugh that made a house feel like it had walls.
 
 The vision folded again, like the pages of an atlas creasing to show me a new city built inside the old one, and I saw the night they called it.
 
 It was the Cooper River Conservatory, because Charleston loves a show. The room was full to bursting, and it wasn’t an angry full; it was a party—the kind of crowd that picks itself up off its own porch and tumbles downtown to watch a story end the way they prayed it would. #MayorMaterial wasn’t a joke anymore. It was a headline.
 
 I stood offstage with my hand on a curtain rope because I needed to hold something that would hold me back. My heart hadn’t slowed in an hour. I could hear the buzz on the other side—reporters and neighbors and the guy who fixed my HVAC twice in the hot month—and under all of that, I could hear Ethan breathing. He stood not in front of me and not behind me, but at my shoulder, exactly where he always said he would be, that quiet in his chest like a heavy instrument waiting for its single note.
 
 “Granddaddy,” I said, and my voice almost went, but I swallowed it. “You good?”
 
 My granddaddy looked small under the lights for the first time in his life, age lying honest on his bones. He pinched my chin and looked at me like his only job left in this world was to memorize me. “I’m proud,” he said. “Don’t get messy about it.”
 
 “I won’t,” I lied.
 
 They called it. The room broke. The ceiling held. I walked out into a roar that felt like a storm in reverse—water receding all at once, land shining underneath. I spoke words I had written myself and meant every one, and when I got to the part about the city not needing a savior but a plan, about not apologizing for moving money from pretty to necessary, about clearing drainsand buying out basements and saying no even when a developer called me sweetheart, I heard Butch laugh and felt Ethan’s hand open at my back like a door inviting me through.
 
 A flash strobed. Cameras—they’d always been there—caught the way Ethan looked at me when I said “Forward only,” the way his jaw clenched, just once, like he was remembering a promise to me, to himself, to something older. #CharlestonLoveStory did what it does: it spun itself bigger than us and curiously more true.
 
 The city didn’t turn into a postcard. It turned into work. Long meetings that ended in hard, boring excellence instead of easy, beautiful failure. Fights. Wins. Nights on the porch when Ethan put my feet in his lap and pressed his thumbs into the tight rope of muscle over my arch until I had to bite my lip to keep from moaning the kind of thank you I usually saved for the dark. Mornings when Amelia climbed into our bed before the sun and shushed us both with a palm to our mouths. Afternoons when James brought me a frog he had named Councilman and asked if we could keep him until the ordinance passed.
 
 A sudden current in the other room grabbed my ankle and yanked. The Cooper River Conservatory vanished, and I was on my back again, staring up at a sky that had come too close. Panic flared bright and hot. If I let go here, the yard would go with me. The porch swing. The ring. The bells. Amelia’s hand in my hair, chubby fingers tangled and patient. James’s laugh. Granddaddy under the oak, his eyes tired and happy. Ethan’sYes, ma’amturned into lover and then into husband and then into home. All of it, as fragile as breath.
 
 Not yet, I told the water.I haven’t finished.
 
 I tried to cough and the cough didn’t come. A gray mist crept in from the edges, stealing detail first and then shape, quieter and quieter, like the last notes of a hymn.
 
 I had the sudden, unhelpful thought that the city would take better care of itself without me, if I didn’t come back. That maybe it had been waiting for an excuse to hand the job to someone else. That maybe Fitch would finally have his way and call me a lesson instead of a leader.
 
 No.
 
 The refusal rose clean and sharp and sat heavy in my mouth. The vision of the yard flickered like a television losing its signal, lines rolling, and I reached for it with both hands even though I wasn’t sure I had hands to reach with. The white of the runner under the oaks. The green of the lawn. Flapjack’s black flank shining. Ethan’s chest under my cheek. Work to be done. Love to be done.
 
 Not yet. Not yet.
 
 “Natalie!”
 
 The shout came from the other room, the one with rain and grit and lights, but it cut through here, too, as if the two places had stitched themselves together long enough for one voice to travel. It wasn’t panicked. It was command and promise, both.
 
 “Natalie, look at me.”
 
 The pressure on my wrist surged from grip to capture, and the world snapped into a single, bright point.
 
 A face blocked the sky. Ethan.
 
 Not the version in the suit at the altar or the one in the yard with a baby curving to his shoulder. This was the storm version, jaw dark with a day’s growth, rain and river plastering his hair to his skull, eyes the color of wet stone.