Page 107 of Leather & Lark
Tears fill my eyes as I toss the phone on the couch. I want to pace. Torun. But there’s nowhere to go to escape the way I feel.
“I wasn’t here,” I whisper.
A hand wraps around my forearm and squeezes, and I look down to meet Rose’s fierce determination.
“Think,” she demands as the dog whines behind her. “There’s got to besomething. Something weird. Something out of place.”
I press my eyes closed and search the darkness. At first, all I see is Lark’s face. How beautiful she is when she’s trying to get under my skin. How she looked on that stage, singing to me. Her body beneath the sheets the first night we spent together, the way she smiled when I turned for one last glance from the doorway.
And then it strikes me, an image that burns brighter than lightning.
“Across the street. He wasacross the fucking street.”
I stride toward the door, Rose right on my heels. “I’m coming with you,” she says.
“Rose, don’t,” Fionn says, his voice breaking. “Please.”
We stop just long enough for Rose to turn and face him. He’s kneeling on the floor, a hand still placed on Bentley’s side. “Lark is my girl. I’m going to get her back.”
“But—”
“I love you, Fionn Kane.”
Shocked silence fills the room. I expect Fionn to say something, anything, but he doesn’t. It’s as though her words are so unexpected that he can’t process them.
Rose takes a step backward toward the door. Fionn stares at her like he’s frozen. Rose takes another step away. “Save the dog or this asshat will kill you.”
Then Rose strides past me, pulling a huge hunting blade from a sheathe hidden beneath her shirt. When I turn toward my brother, there’s anguish in his eyes.
He swallows, but his voice still comes out uneven when he says, “Keep her safe.”
“I will. I promise.”
I jog to catch up with Rose. When we reach the bottom of the stairs we burst into the cold air, heading for the building across the street.
“So who is this guy?” Rose asks as we get to the locked door. I’m about to try shooting it when she pulls out a small black case from the bag slung across her shoulder and fits a pin and snap gun into the lock. With a few clicks and turns, it’s open and we step inside. The former industrial building has been converted to small offices on the main floor with apartments on the second.
“He said his name was Abe Midus. He booked an appointment at my studio and brought in a saddle for repair. But I know nothing about him aside from he’s a religious guy. Conor is working on it.”
We run up the stairs to the second floor and head to the apartments that face our building, of which there are only three. We stop at the door at the end of the hall, the one most likely to align with our windows, and listen for sounds within. Nothing comes. I keep my gun pointed to the wood as Rose fits her tools into the keyhole. When the bolt gives, I motion at her to stand aside. Then I turn the handle and push the door in.
“Well,” Rose whispers as I lead the way over the threshold. “I think we got the right place.”
There’s no one here. But the evidence of his obsession is everywhere.
Charcoal drawings line the walls, images of crosses with quotes scribbled in margins, sketches of houses and unfamiliar places and people. There are several drawings of an older woman with a Bible spread open on her lap. Handwritten notes are piled on every surface. Times and dates and locations. A colorful strip of paper sticks out among the white ruled sheets, and I pick it up.KEX, with Lark Montague, the ticket says.
Fire fills my chest with a burning ache.
My phone rings and I scramble to pull it from my pocket. It’s Conor.
“Anything?” I say.
Rose watches from where she stands next to a scope mounted on a tripod, the lens pointed to our apartment.
“Nothing for an Abe Midus. He’s a ghost.”
“Did you check records for Texas?”
