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Ayers remembers, however, that while the rest of the house looked like it was shared by the protagonist of The Old Man and the Sea and the Little Mermaid (Huck and Maia), Rosie’s room was a sanctuary, cool and elegant, and it still is. The wallpaper is printed with pink hibiscus blossoms, and the hibiscus theme is echoed by a bush outside the open window. The queen-size bed has at least a dozen pillows artfully arranged against the rattan headboard. Rosie was a fastidious bed-maker, whereas Ayers sleeps in a tangle of sheets every night and sees absolutely no point in making a bed that she’s only going to climb right back into the next night. (Ayers gets a sudden vision of Rosie folding napkins at La Tapa. She was careful and precise in the task, like she was doing origami.)

Against the wall is a large teak bureau; over it hangs a giant, round silver-framed mirror. The door to the closet is closed tight. The only personal touches that Ayers can see are a trio of framed photographs in one corner and a copy of Jane Eyre on the nightstand. Rosie was a sucker for the classics, especially the novels of Edith Wharton, George Eliot, and the Brontë sisters, and it was nearly impossible to get her to read anything contemporary, though she and Ayers had made a deal: Ayers would read Middlemarch if Rosie would read Eat, Pray, Love. (Ayers hadn’t kept her end of the bargain, which she feels awful about now.)

Huck asked Ayers to “help” him go through Rosie’s things, but it’s clear he hasn’t been in here even once, and Ayers suspects Maia hasn’t either. The room is undisturbed, as if Rosie might walk back in at any moment, straw market bag over her shoulder, singing Aretha Franklin.

That, probably, is the point. If they go through everything and sort out what to keep and what to throw away, they’re admitting Rosie is gone.

“I’ll get started, I guess,” Ayers says to Huck. “I’ll make four piles—to keep, to give away, to throw away, and undecided.”

“Ayers,” Huck says.

She turns to him. She’s afraid he’s going to break down, and if he breaks down, she will too. They both vowed to be strong for Maia, and they have been, but this hasn’t left a lot of time for them to tend to their own grief. Ayers can practically hear the texture and timbre of Rosie’s voice: You make me feel like a nat-u-ral wo-man!

“Last Friday,” Huck says, “the FBI called.”

Ayers snaps back to reality.

“Virgin Islands Search and Rescue contacted them about the wreckage. The agent I spoke to said it looks like there might have been foul play.”

Ayers nods but says nothing. After she and Mick had left Caneel Bay and returned the inflatable dinghy, they’d continued on to Joe’s Rum Hut for happy hour, then they stopped at Woody’s for a drink, then they strolled down to Morgan’s Mango to have dinner. By that time, Mick was drunk enough to engage in some pretty wild theorizing. The bird Rosie was on did not go down by accident, Mick had said. I guarantee you that.

“Turns out the damage to the helicopter wasn’t consistent with a lightning strike,” Huck says. “They think there might have been a bomb aboard or that maybe someone tampered with the wiring to cause an explosion.”

Ayers blinks.

“I just thought you should know,” Huck says. “They’re still investigating.”

“Maia?”

“I didn’t tell her,” Huck says. “The less she thinks about the actual crash, the better.”

“Agreed,” Ayers says. “What about…I mean, do we know if…” She swallows. “Have you heard from Irene?”

“I made her promise she would text me once she made it home,” Huck says. “And she did. Then a day or two later, she texted to let me know that her mother-in-law, Russ’s mother, had passed away. Which I guess was something of a blessing. Though I don’t know…that’s a lot of loss for one week. I sent my condolences, then decided I’d leave her be for a while. So I’m not sure if she knows about this. Though I assume so. Have you heard from the boys?”

Ayers has not, which bothers her more than it probably should. Especially since she told both Baker and Cash to leave her alone. She was disappointed that they had lied to her about who they were, and besides that, she was back together with Mick. There was no reason for either of them to reach out to her, but their silence chafes nonetheless. They had both claimed to have feelings for her. Baker used the phrase “love at first sight,” and Cash said he thought he was in love with her. But now that they’re back in America, living their lives, Ayers has been forgotten.

Which is why she never dates tourists.

She is especially peeved at Cash because she had texted him the day before with a link to a job opening on Treasure Island. Wade, the first mate, was moving back to the States to manage a marijuana dispensary outside of Boston, and they needed to hire a replacement before he left in two weeks. Skip, the bartender at La Tapa, had expressed interest, but Ayers didn’t think she could handle dealing with Skip at both of her places of employment, and she suspects that James, the captain, would throw Skip overboard before they made it into British waters. The problem is that everyone on St. John already has a job, and anyone who’s not on St. John doesn’t have housing. Then Ayers thought of Cash. He had been a big help on that trip to Virgin Gorda. And he’d had years of experience as a ski instructor, which, as he pointed out, was exactly the same thing, only completely different. He’s probably certified in CPR. He would have to get his lifesaving certificate, take a marine-safety class, and, literally, learn the ropes. But all of that stuff is easy. The most attractive thing about Cash, other than his charm and love of the outdoors, is that he has a place to live.

Maybe it was a bit of a stretch to imagine that Cash would drop everything and move to the Virgin Islands in order to crew on Treasure Island. Maybe he thought Ayers was teasing him or taunting him, but if so, wouldn’t he have shot back a snappy response?

“Not a word,” Ayers tells Huck. She tries to make this sound like a good thing, but he must know better, because he pats her shoulder.

“Holler when you get hungry,” Huck says. “I’ll bring you some lunch.”

“Great,” Ayers says weakly. She thinks of the awful fish sandwiches on buttered Wonder Bread that Huck packs for Maia.

“I’m picking up barbecue from Candi’s,” he says, and Ayers perks up. “Thank you for doing this.” He casts his eyes upward. “I’m sure Rosie would prefer to have you discovering her secrets rather than me.”

Discovering her secrets makes the work sound intriguing when in fact it’s merely heartbreaking.

Ayers starts with the closet. Rosie loved to wear white; it made her skin look luminous. The clothes in the right half of the closet are all white. Shades of eggshell, ivory, ecru, and pearl mix with the most blinding of whites. Everything is crisp and ironed, even her jeans. The clothes in the left half of the closet are full of color—Rosie’s bright printed handkerchief halters, her bohemian blouses, her simple cotton tank dresses. Nobody rocked a jersey patio dress like Rosie Small. Ayers’s favorite is a ribbed cotton racerback in brilliant marigold. She fingers it, remembering some special occasion at Chateau Bordeaux. The two of them had gone for cocktails to enjoy the spectacular view over Coral Bay, and Rosie had been wearing that dress.

Beneath the clothes are shoes—sandals, wedges, and the pair of black Dansko clogs marked with green tape that Rosie wore when she waited tables at La Tapa.

Ayers inhales through her nose, trying to stave off the tears. Everyone at La Tapa wore black clogs, and on Ayers’s very first day of work, Rosie had advised making hers distinguishable in some way. She showed Ayers the green tape. Looks like we wear about the same size, Rosie said. But if I ever see these on your feet, I’ll cut you. Hear?