Page 7 of Riggs
3
Riggs
The sky over Seattle is the exact color of gunmetal, a soft, stubborn drizzle hazing the windows as the plane taxis. I clock the sheen of rain on the tarmac, the crawling line of ground vehicles, the way the jetway shudders when it locks. The air out here always smells like wet concrete and jet fuel. I’ve worked in worse.
“I’m freezing,” Vanessa whispers, and without even thinking about it I pull off my hoodie, handing it to her.
“Here. Stay warm.”
She pulls it over her body, and I have to admit… she looksdamngood in my clothing.
Vanessa’s shoulder brushes mine as we wait for the door to open. She’s got the hood of my gray sweatshirt up, her hair tucked inside, chin tipped down like I taught her on the flight. She looks like a college kid who stole her boyfriend’s hoodie, not a woman half the internet can’t stop talking about.
My hoodie.I push that thought away as fast as it appears.
“Still good?” I ask, my voice dropping an octave.
Her eyes flick up, bright even in the fluorescent wash. “Still good.”
I believe her. She’s been a trooper. But the second the door opens and we step into the jetway, the noise shifts. The hum becomes a buzz becomes a rip. I can feel it in my teeth.
Trouble is waiting.
We clear the jetway and spill into the terminal. Sea-Tac looks like it always does—vendors hawking coffee that could strip paint, the souvenir place with Mount Rainier on everything, harried families with strollers—but today the energy’s all wrong. Heads turn like weather vanes swinging to one wind. The single wind is us.
The first camera flashes before I even spot it. That’s the tell. I scan left. There’s two men, cheap telephotos, no press lanyards, posted like pylons by the gate rail. Passengers squeeze past them. Beyond security, near baggage claim, I catch a shimmer of reflective vests and the distinctive crouch of shooters bracing for their money shot. Three. No—five. There had to be a tip-off. Had to be the woman back at Saint Pierce. The one who asked for a selfie. She must have snapped off a picture when we weren’t looking.
Fuck.
The comm in my ear vibrates once. Nolan, our driver and also a member of Seattle Delta Force, is curbside. “Suburban on the departures level, Lane Two,” he says. Calm. “You’ve got heat inside. Want me to swing lower?”
“No,” I murmur. “Hold position.”
A new wave of people surges, phones lifted, faces gleaming blue-white with screen light. “Vanessa! Vanessa!” They say her name like it’s proof they exist. Someone shouts, “Who’s the guy?” Another voice: “Vanessa, look here! One pic!” Then the questions turn, sugar to acid. “Is that your boyfriend? Did you dump Kellan? Vanessa, look at me!”
Who the fuck is Kellan?
The tide is forming, a semicircle that’s about to become a full ring. Terminal security isn’t here yet. They’ll come, but they’ll be late, and I don’t have thirty seconds to let strangers plug holes in my plan.
“Eyes on me,” I say to her.
She does. The hood shadow lays soft across her cheekbones. I can see the pulse in her throat ticking up, feel my own steady to match hers. I angle us toward the wide corridor that leads to the escalators, but we’re already choking the feed. The bodies close in, elbows and camera bags and the ruthless need to capture, claim, own. Somebody steps in front of us and stops short as if by accident. Classic block move.
No way through clean.
I could go brute force—shoulder through, forearms up, “excuse me, coming through,” let my size and tone do the work. I could draw attention to my badge, but that invites policy and questions, and the second we involve airport authority we lose our timetable, our anonymity, maybe our vehicle. She’s a prize, and they’re the ocean. The ocean doesn’t negotiate.
So I do the one thing I tell rookies never to do unless they’re willing to eat the fallout.
I take away the shot.
“Trust me,” I whisper. Not a question.
Heryesis a breath against my mouth as I lean in, my palm cupping the back of her head under the hood. I close the distance carefully—no rush, no jolt—and kiss her.
It’s supposed to be cover—my body making a wall, my profile stealing the frame, her face shielded from every lens. It is cover. It’s also a live wire, a flare hitting dry brush. Her fingers flex in my sweatshirt at my ribs, and the taste of her slips under my guard. My other hand finds her waist and the world funnels. The shouting blurs. Flash pops go distant. Everyone gets what they came for and I get what I didn’t know I wanted until the second I had to take it.
I pull back slowly. Her hood still shadows her, and I keep my shoulder between her and the longest lens I can see.
