I breathe out, not realizing how good it’d feel to hear the media change their position on my relationship. Even if the rest isn’t true.
I decide to text Akara rather than use comms.
Did you see the “holy secrets” article?I press send.
A minute later, I get a reply.
But instead of answering me by text, he responds to everyone. “Akara to Omega, if you see the article inCelebrity Crushabout SFO, ignore it. Protect your client and keep your heads up. Prove that this means nothing.”
Roger that.
14
JANE COBALT
I’m afraid.
I’m so very afraid that I’ll be too soft on my brother. I’m afraid that Maximoff will have to be the strong-hand and it’ll create unnecessary tension between him and Beckett when that should be my burden to bear.
I’m afraid that I won’t be enough to help him.
That I will fail in epic glory, as I always seem to do in the end.
Fears commandeer my mind and rattle my core. We’ve packed our bags and left them in the Range Rover outside the Hell’s Kitchen apartment complex, the world quiet and still at 3:30 a.m.—our flight for Scotland departs today.
And we’ve come to gather a passenger.
The ritzy elevator feels compact and ominous as we ascend the floors to my brothers’ bachelor pad, and I know my apprehension is apparent. Concern spills out of Thatcher, Farrow, and Moffy. I sense them looking at me as the numbers tick and we rise.
At least I was able to convince Tony to take another elevator. Most likely because Banks stayed behind with him. Before we leave Hell’s Kitchen, the Moretti brothers plan to swap clothes in a restroom, and when they come out, Thatcher will pretend to be Banks and Banks will be Thatcher.
Igniting the twin switch.
But right now, only the four of us are in the elevator, and Thatcher is still entirely himself.
I blow out a controlled breath. Hot beneath my cheetah-fur coat and pastel jeans.
“We’re right here with you, Janie.” Maximoff has squared shoulders and these tough green eyes that say,we can power through anything.And with Farrow at total ease next to him, that resilience doubles.
Thatcher is behind me, his sculpted arm protectively wrapped around my collarbones while I lean back against his chest. I look up, and he looks down.
His narrowed gaze carries unadulterated confidence that washes over me. Like we’re standing beneath a steaming shower in a faraway land, alone together. Like we’re naked.
Bare.
Vulnerable, and I’m syphoning his assurance and composure. My chin rises, my shoulders lifting. I’m a leech, I realize.
I’mleechinghis strength, and I don’t want to relysolelyon him. Or anyone for that matter.
Not my parents, not Maximoff and Farrow, not bodyguards, siblings, cousins, or strangers—I need to offer something and be of use and value. Yet, I can’t move.
I can’t push Thatcher away. It hurts even thinking about stepping out of this embrace. I inhale and reach behind me, gripping his waist.
Eyes still fixed together, his lips lower and meet mine. In an upside-down kiss, brief and explosive. Detonating an emotional meteor in my heart, my body swells, and I breathe and breathe.
We break, and I look ahead.
Eyes wide in the same thought.