FOR A MOMENT, TO REST HER HANDS, Candle set the domingon down. The sound box thunked with a hollow expression. Its cavity was a kind of womb, she thought; how ineffable the secrets born there.

She wasn’t given to reflection herself, but she was tired. For a moment she allowed herself to remember her arrival here a month or so before. The one called Mother Yackle had been dozing on a bench in the sunlight; she’d looked up with a start at Candle’s approach. She had stretched out a wilted hand, peering with an expression canny, severe, and resigned. Resigned: that was much the way Candle had felt at that moment. Her uncle had tricked her here; he hadn’t wanted to keep her any longer. “The way you’re going, you’ll be pregnant soon enough, if you’re not already—and I can’t take a child and a child’s newborn with me on the road.” It seemed he’d bought the domingon from its maker as a way to bargain with her. Go into the mauntery for a year, and the instrument is yours. Do with it what you will, and I’ll be back to get you in good time. There’s not much left for us in our home marshes, but you’d be ruined in the north. They’d spit at you, your easy ways; they’d laugh, your little voice. Stay here, and remember me wherever I am.

That kind of remembering was another skill, but now she was attending someone else, and her uncle meant little to her.

Candle took Liir’s hand in her own. A clamminess. Was his color fading? Or was it just that the sun was setting, and the jackal moon was rising later than it had? The shadows lengthened and browned. By comparison his skin was bleached like an old, sun-whitened bone.

She took up her instrument again and leaned the edge of the minor bridge right on the edge of his bed. Her fingers running into the treble range, they danced in contrapuntal jiggery at the top register, not six inches from his right ear.

Where was he?

LADY GLINDA SAID TO LIIR, “I can tell you have no intention of leaving that charred broomstick behind, but if you try to walk into a public space carrying it over your shoulder like a blunderbuss you’ll be taken for a fool, or at any rate noticed. I think what you are after is something a little more like camouflage.”

She paused to regard herself in a convenient looking glass in the stairwell. Adjusting her everyday tiara, she conceded, “It must be said that camouflage is not an effect I have ever strived to master. Still, we’ll do what we can.”

Liir followed her down the marble steps of the central staircase. The place had gone quiet. “Goodness, everyone takes off for a smoke the minute my back is turned,” she said. “Where are the kitchens, anyway? Through here?”

She stumbled into a cloakroom, and then opened the door to a closet where two of the belowstairs staff were involved in recreational exercises. “I beg your pardon,” she said, and shut the door, and then locked it. “Eventually they’ll have to thump to be released, and one of them is bound to be cheating. Heaps of fun. But where’s the kitchen?”

“Have you just moved here?” asked Liir.

“Don’t be silly. Lord Chuffrey had this place long before we married. But I don’t cook for myself, if that’s what you mean. Nothing other than the toast that I mentioned earlier, and that’s done in the breakfast hall. Ah, here we are.”

A half-flight of stone steps descended into a cavernous whitewashed kitchen. A dozen members of the staff were sitting about the table so deep in conversation that they didn’t hear her coming. “Lady Glinda,” said a bootblack, and they all leaped up with guilty looks.

“Glad to be recognized in my own home,” said Glinda. “I hate to interrupt what are probably well-intentioned plans to kill us all in our beds, but if you don’t mind? A minor request for whichever of you has just a moment to spare?”

They melted away, all but the housekeeper and the houseboy.

“He’s about the same size as the bootblack,” said Glinda, pointing to Liir. “Suit him up in House of Chuffrey colors and find some decent shoes, and get him a leather satchel on a sling. You know, that long cylindrical thingy that Lord Chuffrey’s guests use to carry their arrows when they go hunting in the country. That ought to accommodate the filthy old broom, I think.”

“Asking your pardon, Lady Glinda,” said the houseboy. “We’ve no such satchels on the town premises. They’re all down to Mockbeggar Hall.”

“Do I have to think of everything? Haven’t we friends? Haven’t we neighbors to borrow from? Aren’t there shops still serving the public? Need I go tramping to the marketplace myself with a sack of coins between my teeth?”

The houseboy fled. The housekeeper pursed her lips editorially.

“Don’t speak. Don’t. It’s only a temporary appointment,” said Lady Glinda. “Just for the day, in fact. Now feed up this boy; he hasn’t had a square meal for weeks, I can tell. And when he’s equipped as I require, return him to the Yellow Parlor.”

Lady Glinda climbed the stairs, muttering “Kitchens!” in disbelief, leaving Liir behind.

“Well, peel off those beggar’s weeds and wash in the cauldron room, just there; I won’t have you staining her fancyfart’s good livery with your dirty limbs,” said the housekeeper. “I’ll put out some food, and you be grateful for it, for it’s out of our own downstairs supply, and we don’t take kindly to ravenous upstarts here in Lord Chuffrey’s establishment.”

“WHERE ARE WE GOING?” He peered out the window of the carriage.

“Put your head back. Servants don’t gawp out of carriage windows.”

How odd to be five feet higher than the street. It was not an experience to which he was accustomed. The carriage lurched under arched spans of stone, stopped for a squadron of uniformed cavalry on display, sidelined along a merchants’ parade, and picked up speed along Dirt Boulevard. Cleared of its village of indigents, the roadway showed signs of its original elegance, though its parallel rows of trees were in bad shape. It looked as if the grounds were being used for military drills.

Where had all the itinerants gone? “Where are we going?”

“To the Palace,” Glinda said. “Where you’ll keep your head down and your mouth closed. Are you scared?”

It seemed too personal a question for a woman to ask a boy. Perhaps she realized this. She continued, “I was, the first time I came here. It was with Elphaba. We were older than you are now, but only by a few years. And in many ways we were more naive. Well, I was, anyway. And I was terrified. The wonderful Wizard of Oz! My stomach just about dissolved in its own acids.”

“What happened?”

“What happened?” She turned the question to herself, examining it. “History happened, I suppose. We saw the Wizard, and we parted ways—Elphaba went underground, as it were, and…in time, I hugged the limelight.” She sighed. “With the best of intentions, and with limited success.”