Page 27 of Yumi and the Nightmare Painter

She shook her head. “Too frivolous for a yoki-hijo,” she whispered. “But I’ve heard of them.”

“Don’t you getanytime to relax?”

“I have plenty of time to meditate and pray.”

“No, I mean…have fun?”

“If I waste time having fun, people starve,” she said, still watching the two figures made of light. “How are actors doing this?”

“They’re standing in another place,” Painter explained, “and projecting onto the hion lines. Uh…I don’t know how it works. Kind of like a photograph, maybe?”

She looked at him blankly.

“Right,” he said. “I guess you don’t have those. Just…imagine a pair of people standing in a room somewhere acting out this play. And these lines mimic the actions they’re making. Anyone in the city with a hion viewer can watch.”

“Is…that what the glass is? A hion viewer?”

“Nah, the viewer is these boxes on the side, which manipulates the shape of the lines. The glass is to keep you from touching the hion.”

She nodded absently, mesmerized. The play, she pieced together, was about a man who had woken up one day without memories. This was important because he’d been the only one who knew the location of a fantastic treasure. But the story didn’t seem to be about the treasure. It was about all the different people trying to persuade the man that they’d been his good friend, and about the man piecing together the fragments of who he’d once been and discovering—bit by bit—who was actually an ally and who was lying.

She knew that she should have been doing something else. Meditating, at the very least. But for some reason the storyconnectedto her. The man with a blank life. Everything he tried was new…

She was so tired. Overwhelmed. There was something incrediblytherapeuticabout sitting, pulling a blanket around herself, and watching someone else’s problems for a while.

When the story finished she gasped softly. “It can’t end there!” she said. “What is in the safe?”

“It always does this,” Painter said. “Every time. It ends right before it’s going to reveal something important or interesting. I think they want to make it so you have to watch the next episode.”

“Wehaveto!” she said. “When is it?”

“This one is weekly,” he said. “Some are daily, others every other day. For this, the actors have other obligations, so they can only do it once in a while.”

“A wholeweek?”

The spirits were surely punishing her.

Yumi pulled the blanket close, trying to keep warm. Maybe this wasfor the best. She wouldn’t be distracted by the story…except the lines remarkably started vibrating again and forming new shapes.

“It’s returning!” she said.

“That’s the next program,” he said. “Seasons of Regret. It’s one of the best.”

“Another program… How many are there?”

“A different one every hour,” he said. “All day. Though in the late night and early morning, they’re mostly reruns. Which is nice, in case you miss an episode.”

Every hour? All day?

This device was dangerous. She reached up and flipped it off before it could draw her in. Shehadto focus on her predicament. The spirits needed her.

“Did anything happen to you?” she said. “Anything unusual before you woke up, having stolen my body?”

“I didn’tstealanything,” he said, lying back on his plush altar, rubbing his eyes with the heels of his palms. To be honest, Yumi was feeling a little worn out herself.

“Therewassomething,” he eventually continued. “Like I had you tell the foreman. A nightmare—one that was almost fully corporeal. That’s rare. I’ve never seen one like that.”

“Nightmare?” Yumi said, frowning. “You were asleep?”

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