I replied, “Like Eliza Doolittle inMy Fair Lady?”
Only for Shay to wrinkle his nose. “He hasn’t tried out much gender play yet. But I won’t complain if he dresses me in stockings, suspenders, and a corset.”
Robyn would understand.
Silently, I push open the next door into a vast, more modern lounge with ivory walls and couches, walls lined with books, and a white grand piano in the corner.
It suits D’Angelo. I can imagine him relaxing here with a whiskey.
Even though D’Angelo hasn’t been living here, it’s been kept clean.
Frustrated, I back out of the room.
No one is here.
I can’t even see evidence that anyone has been inside here for a long time.
I stand still, straining to listen.
Nothing.
Then…something.
It’s faint and coming from beneath me.
Surprised, I stare down at the wooden floorboards.
What’s beneath the house? A basement?
My heart beats faster. I spin around, stalking back into the corridor.
I scan along the wall. It’s too dark for me to see it properly, but there must be a way down from here. I walk up and down the wall’s length, running my hands over it.
Now that I’m listening out, I can hear a weak sound. It’s familiar to me, but I can’t work out what it is.
A rhythmiccrackingsound.
My mouth goes dry.
It’s the sound of a whip.
My breathing becomes ragged. My pulse roars loudly in my ears. I claw at the pristine wall.
Heine is hurting D’Angelo.
Whipping him.
He’s…
My fingers close around a handle.
My eyes widen, as I yank on it hard. A discrete door opens in the wall, revealing a narrow set of wooden stairs.
I throw myself down into the blackness.
The more steps I take into the basement, the louder the sounds of the whipping becomes.
I can hear something else mixed in with it as well: groans of pain.