man, but he shrugged it off. He liked her voice; it was smooth
and a little hoarse.
“Professor, do you have a moment to speak to me in regard
to the photos my officers were circulating yesterday?”
“Oh! Yes, of course, Detective. What can I tell you?”
“You recognized the man in the photo?” Nick asked.
“Yes.”
“Is he a professor at Boston College? An employee?”
“Oh, no no. He’s a writer.”
Nick frowned and scrambled for his notepad. “A writer?”
“I teach one of his books for a course. I recognized him
from the photo on the back jacket. My students ask me every
year if I can convince him to come and guest lecture.”
Nick smiled. He could see why college kids would want
to sit and stare at JD for an hour. “Okay. What course is it you teach? Literature of some sort?”
“Archaeology and anthropology. I’m afraid I’ve
misspoken, Detective; I recognized him from a book he
wrote, but writing is not his profession. See, I teach a course on pop culture, and we discuss the differences between reality
and fiction in the field of archaeology.”
“I see.”
“Expectation of the job versus the realities?”
“Right, telling them they’re not Indiana Jones,” Nick said.
“Exactly. But I try not to skew the course, so I offer readings from archaeologists and other scientists who . . . quite frankly are more like adventurers. Hiram Bingham III, Roy Chapman
Andrews, Lonnie Thompson and Ellen Mosley-Thompson,
and Mark Moffett, to name a few.”
“Okay. Scientists who are also kind of badasses, I follow.”
134
“I’m impressed, Detective, that you would know those
names. They’re rather obscure bits of history.”
“I knew the first two,” Nick admitted.