We flew in on the helicopter. It’s parked on our private pad on the west side of the grounds. But my mother is surely right—anyone attacking the house would have blocked that route first.
“The garage, then,” my father says.
Several vehicles are parked in the underground garage, including Efrem’s Land Rover.
“No,” my mother says quietly. “The gardener’s shed.”
I don’t understand at first. Then I remember that the gardener has his own ancient Jeep, and the shed is located directly beneath the study. We still have to retrieve my sister.
My father heads up the staircase, trusting my mother’s judgment.
We follow after him, Efrem guarding the rear.
As we reach the top floor, I see two figures ducking into the study. These are not my father’s men—they’re dressed in tactical gear with balaclavas over their heads and rifles on their shoulders.
My mother gestures for me to follow her. While my father and Efrem circle around behind the men, she and I exit onto the balcony. We creep along the open deck, carefully avoiding the lounge chairs, and the empty glasses and sun-bleached books my sister forgot to bring back inside with her.
I peek through the French doors. Freya is no longer asleep on the chaise. She’s nowhere to be seen at all. The two men are searching the room, using the lights mounted on their scopes.
My mother covers them with her rifle, but she isn’t firing. She knows any noise will draw the whole invading army down on us. She’s giving my father a chance to handle them quietly.
In tandem, my father and Efrem sneak up on the men. Efrem’s knife is already drawn. My father is bare-handed. He seizes the first soldier from behind, ripping the man’s own Bowie knife from his belt and cutting his throat in one slash.
Efrem’s opponent swings his gun around. Efrem is forced to drop his knife so he can yank the man’s hand away from the trigger.
My mother readies her rifle, barrel pointed directly between the soldier’s eyes.
Then an arm darts out from under the chaise, stabbing a letter opener down through the top of the soldier’s boot, pinning his foot to the floor. My sister rolls out from under the chaise, leaping to her feet. My father snatches up Efrem’s knife and finishes disposing of the second soldier.
My mother cracks the French doors, hissing, “Come on!” to the others.
Freya joins us on the balcony, followed close behind by Efrem and my father.
“What the fuck is happening?” she whispers to me.
Unlike my mother, Freya’s hair is pin-straight, barely a strand out of place despite her exertions. It gleams blue-black in the moonlight, a dark veil around her pale face.
My mother motions for us all to stay silent.
I can still hear fighting down on the grounds, on the west side where the helicopter is located, and also at the front of the house where we would have gone to access the garage. My mother was right—she’s always right.
Meanwhile, shouting and thundering feet seem to be coming from every direction inside the house. They’re searching for us, room by room.
My mother vaults the railing, descending the trellis. She’s light and nimble, as is Freya. I’m not sure the spindly wood will hold my weight. I hesitate, wanting to let the women get down first, but my father pushes me forward.
“Go, son,” he murmurs.
As soon as my mother’s feet touch the ground, she sprints for the gardener’s shed, Freya close behind. She keeps her rifle ready. A soldier rounds the corner of the shed, and she shoots him between the eyes.
He falls backward, his finger jerking convulsively on the trigger of his AR. A burst of bullets fire up to the sky.
“Blyad,”my father hisses behind me.
Now I hear more shouting and more men sprinting toward us. My father drops to one knee, calling to me, “Keep running!”
One of the soldiers points his gun at me, before being blasted off his feet by my father.
The doors of the shed burst outward as my mother drives right through them, bumping over the grass and screeching to a halt directly in front of me.