“What are his plans? He’s already killing at will.”

“My vows prevent me from sharing his plans, but—”

“That’s convenient,” I say. “Then why mention them?”

“Because my people read the desert winds as the Augurs read their dreams. They see a great commander who—”

“Do they see anything about the Waiting Place?” I ask. Rowan appears taken aback. I suppose kings rarely get interrupted.

“There is rot in the forest and I need to know why. Do your wind prophecies mention it?”

“Nay, Banu al-Mauth. But—”

“If you have nothing to tell me about the Nightbringer’s plans or the Waiting Place,” I say, “then I’m uninterested in what you saw.” I stand, and the efrit, startled, rises as well.

“Please, Banu al-Mauth. You are destined for more than this—”

“Don’t make me sing, Rowan.” I think of a tune someone crooned to me long ago.Efrit, efrit of the sand, a song is more than he can stand. “I have a rubbish voice. Like a cat getting strangled.”

“You will wish—”

“Lady Cassia Slaughter was a wrinkled old hag,” I sing, “but it’s said that her daughter was a mighty fine sha—”

The foul little sea shanty is the first song that comes to me, and before I finish the verse, Rowan howls and disappears, leaving only a cloud of dust in his wake.

When the cave is silent again, I turn to my dinner. The efrit was likely a ruse sent by the Nightbringer to distract me from my mission. The creatures cannot be trusted. It was efrits, after all, who tried to kill the Shrike and me during the Trials. Efrits who burned down Shaeva’s cabin.

Still I feel uneasy. What if Rowan wasn’t a ruse? What if I should have heard him out?

For a long time, I do not sleep. I sit by the fire, carving shapes into Laia’s armlet. When I lay my head down, Mauth’s magic finally stirs and smooths the unease away. By the time I wake, the efrit and his warning are forgotten.

«««

I reach Aish the next night, well after sunset. I haven’t been here in years—not long ago it was nothing but a seasonal trading post built around an oasis. But since I came here as a Blackcliff Fiver, Aish has burgeoned into a permanent settlement.

Like most Tribal cities, its population is fluid. But the Commandant’s assault on Sadh has swelled the city with refugees. The whitewashed buildings, built three and four stories high, are lined with archers. The many gates are flung open, each more crowded than the last with some people seeking shelter and others fleeing.

North of the walls, the Nasur encampment is in disarray. A steady stream of wounded trickles in—mostly women and children—all speaking of the fall of the city of Sadh.

“The Martials take no slaves, nor prisoners,” a white-haired woman tells the NasurKehanni. “They just kill.”

Briefly, I wonder if Laia ever arrived here. She was headed for Aish.You’re here for Aubarit, Soul Catcher. Not Laia.

Tribe Nasur is not the only one taking refuge north of the city gates. I recognize the green and gold wagons of Tribe Nur, and the green and silverof Tribe Saif. As I survey the vast encampment, searching for theFakira’s wagon, a familiar, dark-haired figure hurries past.

She holds two injured children, and at the sight of her, I nearly call out. I should know her from my own memories, but instead it is the memories Cain gave me of Laia and Helene and Keris that tell me who she is.

Mamie Rila. My adoptive mother.

She hands the children over to a Tribal healer and hurries back the way she came. Then, quite suddenly, she stops short. Tentatively, she searches the darkness.

“E-Elias?”

“Banu al-Mauth now, Mamie Rila.” I emerge into the light.

She stiffens and bows her head. “Of course.” Her voice is low, but it cannot hide her bitterness. “Why are you here, Banu al-Mauth?”

“I must speak with Aubarit Ara-Nasur.”